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Pyloon's Saloon is a cantina on the planet Koboh in Star Wars Jedi: Survivor. While the saloon is quite empty at the start, you, playing as Cal Kestis, are encouraged in the game to travel the galaxy and send those you meet back to Pyloon's.

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There is a jukebox feature at Pyloon's, but you will need to bring back two characters to access it: Ashe Javi and DD-EC. Once they become regular fixtures at Pyloon's, you will be able to request DD-EC to play certain tracks. Songs are available for purchase at Doma's shop, or you can find them hidden around the world.

11 Fields of Dusk

Cal Kestis and BD-1 at the entry of Pyloon's Saloon, with a screen capture of the track listing for Fields of Dusk overlayed

This song is a beautiful ballad, but while it's masterfully arranged and lovely to listen to, its sadder tone may bring down the mood of the other patrons at Pyloon's.

The song starts quietly and slowly building to an epic and emotional crest, ending with a peaceful fade out. While it isn't good for dancing, it works well for sitting at the bar and mournfully reflecting on the hard work you've put into the game and is still worth a thoughtful listen.

10 Who Mourns For Taris

Cal Kestis and BD-1 inside of Pyloon's Saloon, with a screen capture of the track listing for Who Mourns for Taris overlayed

Despite its name, Who Mourns For Taris is a more upbeat techno track, one of the songs available by in-world band, Yubnib Zekk and the Main Characters (Joywave). Each one of Yubnib Zekks songs features a voice reminiscent of an Animal Crossing villager, and of the three, this track is the most relaxed and simplistic.

The title, of course, references the planet Taris that was destroyed in the Jedi Civil War, so if you do play this track be sure to keep the memory of Taris in your mind.

9 Hohochu

Cal Kestis and BD-1 inside of Pyloon's Saloon, with a screen capture of the track listing for Hohochu overlayed

Hohochu is one of three tracks by the in-world band, The Agasar, that can be played in Pyloon's. Hohochu has a rallying battle-cry-esc feeling to it and would be great to put on if you're trying to amp yourself up before going into a boss battle.

All songs by The Agasar (Hohochu, Sugaan Essena, and Eseerin Vasahina) are created and performed by the Mongolian folk metal band, The Hu, and performed in a language that, according to Wookieepedia, was crafted for the Star Wars Jedi games.

8 Zanara

Bartender droid M-6NK inside of Pyloon's Saloon, with a screen capture of the track listing for Zanara overlayed

Zanara is a unique track and its intricate, echoing computerized beat sounds as though it could be the intro to a sci-fi show, making it the perfect song to play in the background for any space-set hero such as Cal Kestis as they hang around Pyloon's.

Zanara is one of two tracks by Mister Mockwell, known off of Koboh as Kaelin Ellis. The techno sounds of Zanara are great to play for any nearby droids looking for a relatable tune.

7 Sugaan Essena

Bartender droid M-6NK, and Cal Kestis and BD-1 inside of Pyloon's Saloon, with a screen capture of the track listing for Sugaan Essena overlayed

If this song sounds familiar, it's because a snippet of it was featured in the opening of Star Wars Jedi: Fallen Order, the first installment of the series. In an interview with Revolver, The Hu state that Sugaan Essena means "The Black Thunder," and explains that they wrote the song about the heart of a warrior, which they see reflected in Cal Kestis.

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Sugaan Essena is the second-longest song available, lasting just over six minutes. It is full of thunderous guitar solos and powerful vocals that are sure to inspire the heart of many warriors.

6 Ebon Flow

Bartender droid M-6NK, and Cal Kestis and BD-1 inside of Pyloon's Saloon, with a screen capture of the track listing for Ebon Flow overlayed

Eden Flow, like the other songs featured by Yubnib Zekk and the Main Characters, is akin to hyper-pop, with a more upbeat tone and interesting electronic sounds alongside heavy vocal modulation, meaning it isn't quite clear what Yubnib Zekk is saying, and if it's in the same language as the one used by The Agasar. While not sounding like the jazz that can be heard at other cantinas in the universe, Eden Flow offers an exciting listening experience.

5 Rumble Droid

Greez Dritus inside of Pyloon's Saloon, with a screen capture of the track listing for Rumble Droid overlayed

This song starts with a simple bassline beat accompanied by an echoing, metallic tap, but it soon builds into a layered and interesting track. Rumble Droid is by Altin Lazer Blaster (Turkish psychedelic rock band, Altın Gün) and may be the shortest song available to listen to, coming in at just under three minutes.

Despite its brevity, Rumble Droid is still a complex song, and another intriguing element of its sound can be discovered on each new listen. Look out for the laser-blasting noises, which seem to be their eponymous sound.

4 Eseerin Vasahina

Cal Kestis, M-6NK, and Greez Dritus inside of Pyloon's Saloon, with a screen capture of the track listing for Eseerin Vasahina overlayed

There's always that one classic song that, when it comes on at the bar, will get all the patrons up and singing along in joyful comradery. For Pyloon's, it sounds as though Eseerin Vasahina can be that song.

With a raucous and roaring repetitive chorus, even the new patrons can soon join in singing Eseerin Vasahina. It has a chant-like quality to it, with a good, consistent beat made to stomp your boots too. There is a beautiful instrumental break featured in the song, as well.

3 Sublime Raid II

Cal Kestis and DD-EC inside of Pyloon's Saloon, with a screen capture of the track listing for Sublime Raid II overlayed

If the powerful beats of Eseerin Vasahina or the undeniable deniability of Eden Flow have tired you out, then Sublime Raid II is a good choice for taking a seat at the bar and winding down.

Its use of delicate tones and icy-dripping echos can provide a relaxing effect that may remind you of the plains of Hoth, but while not as high-energy as the other tracks available, it still maintains the electronic feel that the majority of the songs featured at Pyloon's have.

2 Meet Me at the Sabacc Table

Cal Kestis surronded by patrons inside of Pyloon's Saloon, with a screen capture of the track listing for Meet Me at the Sabacc Table overlayed

With opening notes that are reminiscent of vintage video game start-up sounds, Meet Me at the Sabacc Table is another layered and exciting song from Yubnib Zekk and the Main Characters.

This track has a great energy to it and dynamic evolutions of sound as it progresses, making it the perfect song to play when actually playing a round of Sabacc. Unfortunately, there are not any opportunities to play a round within this game, but you can listen to this song about it.

1 Spiceman

Cal Kestis and BD-1 inside of Pyloon's Saloon, with a screen capture of the track listing for Spiceman overlayed

The longest song available to play at Pyloon's, Spiceman is a seven-minute-long track by NAAARTAAAT (TATRE) that uses its length to its advantage. Spiceman has the greatest variety of sound within its runtime, and shifts in interesting directions as the song goes on.

Spiceman culminates in an epic, near-cinematic ending, before dropping off into a quick fade out. Overall, one of the most exciting journeys featured in the game is the one that listening to Spiceman can take you on.

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